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Wired AI · 2026/7/31 15:00:09
AI Slop Melodramas Are Taking Over X—and Their Creators Are Cashing In

AI Slop Melodramas Are Taking Over X—and Their Creators Are Cashing In

AI 中文解读
X平台正在被AI生成的“狗血剧”刷屏!这些用第一人称写的“惨遭陷害、法庭翻盘”等戏剧化故事,动辄收获百万观看,背后全是AI批量生产,而创作者靠平台的广告分成计划就能轻松赚钱。说白了,就是用AI编故事当“流量生意”:只要粉丝够多、帖子浏览量达标,刷到的广告收入就归你。这篇报道揭开了“X平台分成机制被滥用”的盖子——有人靠AI胡编故事骗点击,甚至用假评论刷数据,逼得平台起诉违规者、删了数百万条盗版帖。对普通人来说,你在信息流里刷到的那些“催泪神反转”可能全是假的,纯属AI编出来骗你停留的;更值得警惕的是,这种靠“情绪钩子”博眼球的模式正在污染内容生态,让真正有价值的创作更难被看见。一句话:刷到“戏剧性拉满”的故事,先别急着感动,很可能只是AI在替你“编故事”。
Steven LevyBusinessJul 31, 2026 11:00 AMAI Slop Melodramas Are Taking Over X—and Their Creators Are Cashing InViral tales of good triumphing over evil are racking up millions of views. They’re almost entirely AI-generated clickbait.Photo-Illustration: WIRED Staff; Getty ImagesCommentLoaderSave StorySave this storyCommentLoaderSave StorySave this storyFor 6 months, my husband convinced everyone that I had stolen millions from the company I built, including our own daughter. As I sat in federal court, certain I was about to lose my freedom, the doors suddenly opened. My 9-year-old son walked in carrying an old blue backpack, looked straight at the judge, and said, “Your Honor. I know who framed my mom. They’re sitting in this room.”So begins a thread on X that appeared in my feed one day. I knew that the first-person narrator probably didn’t exist, and following this thread would draw me into a mawkish tale where good triumphs over evil. Indeed, the author is not a mother on trial for theft, but a self-identified 21-year-old stock trader in Nigeria, who uses AI to generate stories—and gets paid for it by X.I found this out when I began wondering about the proliferation of these compact melodramas of redemption in my feed. It’s probably my own fault; I sometimes idly click on these cheesy stories—you know, just to see what happens next—and the algorithm took notice. In this case, the author is one of countless beneficiaries of X’s Creative Revenue Sharing program, which pays for posts that boost engagement on the platform. To join, a creator must become a Premium X user, have at least 500 verified followers, and have drawn a minimum of 5 million impressions in the last three-month period. The stated goal is to encourage “authentic, high-quality content,” and some of the money surely goes to creators doing just that.But paying for posts that go viral makes the program ripe for exploitation. Some creators in the program engage in “rage baiting,” using outrageous content to draw comments and views. In May 2025, X sued 8 Vietnamese creators and 25 “John Does,” alleging that they fraudulently drew money from the program by posting phony AI-generated content and then boosting engagement by bot-driven comments. In April, X moved to cut the payments of “aggregators” who primarily posted news from other sources, and threatened sanctions against those who overused the BREAKING tag to draw eyeballs. On July 16 of this year, X revealed that it had removed millions of posts that purloined already-published content posted by others.It’s not clear how X regards the AI-generated story slop that has infected my feed. (The company, now part of xAI—which is itself now part of SpaceX—would not answer my questions about this.) Most of the stories are falsely presented as true first-person narratives, though it’s pretty obvious that they are fabricated. In many cases, the creators describe themselves in their profile as storytellers. It’s hard to prove that the actual authors are AI models, but the vast majority bear the signs. The posts are manipulative and dumb and anything but authentic.Rob Cover, a professor at Australia's RMIT Digital Ethnography Research Centre who studies AI-generated content, broke down the structure of these posts for me in an email. It’s as formalized as a sonnet. First comes a rage-baiting setup, “in which an innocent person is wrongfully fired, evicted, scammed, loses their rightful place on public transport, or is the subject of judicial overreach.” This is followed by a turnaround: “The underdog is redeemed while the adversary is defeated, humiliated, and shamed (often as a representation of a public shaming),” says Cover.In many of these tales, narrators are in possession of sealed documents that turn the table on tormentors, often in divorce disputes or the execution of a relative’s estate. Or it could be something as simple as an airline passenger who fiercely retains their assigned seat when rude moochers lay claim t
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